Methods
The First Complete Weissenborn Bassoon Method and Studies, Op. 8 Vols. 1 and 2, edited by Frank Morelli (Carl Fischer)
Lessons XXI – XXVI (pages 108-136) fit within the range of low Bb to high C. The lessons include exercises in a variety of meters and rhythms, duets, as well as excerpts from the orchestral repertoire.
Note: The last two lessons in this method (pages 137-144) extend the range up to E5, the top space on the treble staff.
Etudes
26 Melodic Studies by Graham Sheen (Emerson Edition Ltd.)
Etudes 23-26 fit this range.
Solos (Collections)
Classical Experience Collection (Cramer Music, London) Favorite Classical Themes Arranged for Bassoon and Piano by Jerry Lanning
Berceuse from the Dolly Suite by Gabriel Faure Range: low A to high A
Clair de Lune from Suite Bergamasque by Claude Debussy Range: middle C# to high B
Nessun Dorma from Turandot by Giacomo Puccini Range: middle D to high A
Oh! Mio Babbino Caro from Gianni Schicchi by Giacomo Puccini Range: middle E to high A
Romeo and Juliet Overture – Fantasy by Peter Ilich Tchaikovsky Range: middle C to high B
Scheherazade Third Movement by Nikolai Rimsky-Korsakov Range: middle D to high B
The Swan by Camille Saint-Saens Range: middle B to high A
Master Solos Intermediate Level – Bassoon (Hal Leonard Publishing Corp.)
Arioso and Humoreske by Julius Weissenborn Range: low C to high A
Menuetto from Piano Sonata No. 11, Op. 22 by Ludwig van Beethoven Range: low D to high Bb
Two Impromptus by Edmund Siennicki Range: low Eb to high A
Second Book of Bassoon Solos – Bassoon and Piano, edited and arranged by Lyndon Hilling and Walter Bergmann (Faber Music)
6. Largo from Sonata in C by F. Barsanti Range: middle D to high A (some tenor clef)
9. Allegro con Spirito (transcription of first movement from Sonata, op. 16 No. 5) by J.C. Bach Range: low G to high A
Solos for the Bassoon Player selected and edited/arranged by Sol Schoenbach (G. Schirmer, Inc. distributed by Hal Leonard Corp.)
Es ist vollbracht from St. John Passion by J. S. Bach Range: middle D to high B
The Sorcerer’s Apprentice by Paul Dukas Range: low C to high A
Entr’acte from Carmen by Georges Bizet Range: low G to high Bb
Four Excerpts from Pictures at an Exhibition Range: low G# to high B
First Movement from Symphony No. 4, Op. 36 by Peter I. Tchaikovsky Range: low Bb to high C
Second Movement from Symphony No. 4, Op. 36 by Peter I. Tchaikovsky Range: low A to high Bb
Third Movement from Symphony No. 5, Op. 64 by Peter I. Tchaikovsky Range: low A to high A
Cool from West Side Story by Leonard Bernstein Range: low C to high B
Time Pieces, Volume II arranged by Ian Denley (The Associated Board of the Royal Schools of Music)
Shepherd’s Hey by Percy Grainger Range: low D to high A
Solos (Individual Pieces)
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